I was angry because I intended to live - By Salem Youngblood
Written By: Salem Youngblood
Category: Poetry
Competition: Global Poetry and Creative Writing Competition 2026
In the compelling poetry cycle titled "I was angry because I intended to live," Salem Youngblood delivers a raw and introspective exploration of identity and resilience. A participant in the Global Poetry and Creative Writing Competition 2026, Youngblood’s work is a significant contribution to the Poetry category. Through a nuanced examination of personal struggle and societal expectations, the poems resonate with themes of self-acceptance and the relentless pursuit of authenticity.
About the Work
Salem Youngblood's "I was angry because I intended to live" navigates the turbulent waters of self-discovery and defiance against imposed norms. The cycle's vivid imagery and emotional depth vividly portray the struggle of living authentically in a world that demands conformity. Youngblood’s work is a powerful testament to the strength found in embracing one's true self, offering readers a poignant reflection on the intersection of anger and hope.
I was angry because I intended to live
Original Submission by Salem Youngblood
I WAS ANGRY BECAUSE I INTENDED TO LIVE
A five-poem cycle
I. THEY SAID I WAS TOO MUCH
There was always something wrong with me.
This was explained often.
At dinner tables.
In bedrooms.
In cars where I learned
there is nowhere to run
when the doors are moving.
There was always something.
Too sensitive.
Too loud.
Too quiet.
Too angry.
Too frightened.
Too particular about the seams in my clothes,
the sound of chewing,
the lights above me buzzing
like trapped insects trying to crawl
through my skull.
Too much.
That was the favorite.
Too much.
As though somewhere there existed
a measuring cup for acceptable girls
and God had poured me carelessly.
I did not know the word autistic yet.
I knew difficult.
I knew dramatic.
I knew selfish.
I knew—
What is wrong with you?
I knew how to study a face
before answering a question.
I knew footsteps.
I knew which footsteps meant silence
and which meant disappear
and which meant make yourself useful
and which meant there was nothing
I could become quickly enough
to prevent what came next.
My nervous system became a smoke alarm
in a house that was actually burning,
and everyone complained
about the noise.
Even my friends.
Especially my friends.
At first they asked,
Are you okay?
Then—
Are you sure?
Then—
Again?
Eventually
they stopped asking.
There were parties I learned about afterward.
Photographs of everyone smiling.
Inside jokes born in rooms
where there had once been a place for me.
I watched friendship become archaeology.
Here was the fossil of an invitation.
Here was the skeleton of a sleepover.
Here was evidence
that once
someone had wanted me nearby.
I had become exhausting.
Depression made poor entertainment.
Anxiety ruined the mood.
Trauma did not know when to shut up
and let everyone have a good time.
And autism—
though none of us had its name—
made me terrible at pretending otherwise.
So they removed the unpleasant thing.
Me.
Simple.
Clean.
Almost clinical.
And I began believing
that perhaps love was merely tolerance
with a timer attached.
That everyone who said
I'm here
meant
until you become inconvenient.
I became smaller.
Then smaller.
Then smaller still.
But somehow,
even after carving pieces from myself
and leaving them beneath everyone's feet
like offerings,
I remained
too much.
II. AN ANIMAL LEARNS THE SHAPE OF ITS CAGE
Fine.
If I was too much,
I would become unbearable.
There is a particular rage
that comes from discovering
you were punished for symptoms
of wounds other people gave you.
I carried mine behind my teeth.
You wanted pleasant.
I was surviving.
You wanted funny.
I was counting exits.
You wanted spontaneous.
I needed to know where we were going,
who would be there,
how long we would stay,
whether I could leave,
whether the room would be loud,
because my body had mistaken existence
for an emergency.
You called this difficult.
You called this annoying.
You called this ruining everything.
And when the abuse followed me
into every room
like a second nervous system,
you decided my suffering
was becoming repetitive.
Imagine that.
Imagine watching someone drown
and becoming irritated
because she keeps asking for air.
So yes.
I became angry.
Not beautiful anger.
Not feminine anger.
Not the marketable kind
printed beneath flowers
and sold on canvas.
I mean ugly anger.
Jaw-clenching anger.
Door-slamming anger.
The kind that makes people say,
See? This is why nobody wants to be around you.
And perhaps they were right.
Perhaps I became difficult to love.
But no one asks
what happened to the animal
before it learned to bite.
No one asks
how many hands entered the cage.
How many struck.
How many withdrew.
How many promised gentleness
before reaching for the throat.
Eventually,
I stopped waiting
to discover which kind of hand
you possessed.
I bit them all.
And then wondered
why nobody touched me.
III. NOTHING CAN ABANDON WHAT CANNOT BE REACHED
There is safety in becoming unpleasant.
People underestimate this.
If I hurt you first,
you cannot surprise me.
If I tell you to fuck off,
you cannot announce someday
that I am exhausting.
If I never need you,
you cannot enjoy
being needed
before deciding I am too heavy.
So I became cruel efficiently.
Not because I hated everyone.
Because somewhere inside me
was still that ridiculous animal
waiting beside the door.
Still listening for footsteps.
Still hoping.
And hope had become humiliating.
So I killed it whenever it stirred.
I stopped trying.
Stopped explaining.
Stopped translating myself
into something digestible.
I made loneliness deliberate
because chosen starvation
felt better than being denied food.
I told myself people were stupid.
People were selfish.
People were temporary.
Love was chemistry.
Friendship was convenience.
Kindness was merely cruelty
waiting until you trusted it enough
to turn your back.
Nothing mattered.
Nobody mattered.
I certainly didn't.
And nihilism became
a warm little room.
No windows.
No doors.
No expectations.
I could finally sleep there.
Sometimes I heard laughter outside.
Sometimes I wondered
what it would feel like
to belong somewhere again.
Then I remembered.
And pushed another piece of furniture
against the door.
IV. THE YEARS TAUGHT ME MY NAME
Time did not heal me.
I hate that sentence.
Time does nothing.
Time watches.
Time stood with its hands in its pockets
while I learned to survive.
I was homeless.
But I was free.
There is a strange obscenity
in discovering that uncertainty
can feel safer than home.
I had less,
and somehow
I could breathe.
Nobody was waiting
to punish the wrong expression.
Nobody demanded an explanation
for why a sound hurt.
Nobody accused me
of manipulation
when words stopped coming.
And slowly,
I began studying
the creature I had been taught to hate.
Me.
Autism.
The word arrived
like someone finally switching on the lights
inside a room I had inhabited
my entire life.
Oh.
There was a reason.
There was a reason
I rehearsed conversations.
A reason certain sounds
became physical objects inside my body.
A reason routines felt sacred.
A reason interruption could feel
like someone had grabbed the steering wheel
while I was driving.
A reason I loved things
with an intensity other people
found embarrassing.
A reason exhaustion sometimes made language
leave me entirely.
There were names.
There were explanations.
There were other people.
I learned coping mechanisms.
I learned what overwhelmed meant
before overwhelmed became catastrophe.
I learned leaving a room
was allowed.
Headphones were allowed.
Silence was allowed.
Routine was allowed.
Saying no was allowed.
I began building accommodations
out of whatever scraps I possessed.
Tiny shelters.
Tiny mercies.
And something furious happened:
I improved.
Not because someone finally fixed me.
Because I stopped treating myself
like something requiring repair.
The rage remained.
Of course it remained.
But now it had direction.
For the first time,
I wondered whether anger
could build things
instead of merely burning them.
V. THE FIRST PERSON WHO DID NOT ASK ME TO SHRINK
Then there was her.
Older than me.
Strange in familiar ways.
AuDHD.
A word that sounded almost ridiculous
considering how much suffering
had been required
before I learned it could belong
to people like us.
She had her own rituals.
Her own tangents.
Her own ways of losing time.
Her own ways of finding it again.
We could interrupt each other
and somehow neither of us disappeared.
We could talk too much.
We could become excited.
We could forget the original subject
and travel six conversations away
before discovering it again.
Sometimes my trauma entered the room
before I did.
She did not flee.
Sometimes I became quiet.
She did not demand noise.
Sometimes I needed reassurance
for something another person
might have considered obvious.
She gave it.
No invoice.
No punishment.
No sigh heavy enough
to remind me I was work.
And when I apologized—
because I always apologized—
she would look at me
as though I had confessed
to a crime that did not exist.
Stop apologizing for existing.
I didn't understand.
Not at first.
Existing had always seemed
like the original offense.
But she kept showing me.
Again.
Again.
Again.
Until one day
I laughed too loudly
and did not apologize.
I talked too long
about something I loved
and did not apologize.
I needed clarification
and did not apologize.
I said,
I can't do that today,
and waited for punishment.
None came.
Something inside me
began trembling.
Not fear.
Something much more dangerous.
Hope.
I had believed rage
was what remained
after hope died.
I was wrong.
Rage was what kept its body warm.
All those years
I thought I wanted the world to burn,
some small animal inside me
had actually been guarding a match.
Not for destruction.
For light.
Because beneath every
fuck you
was
I deserved better.
Beneath every slammed door—
I deserved safety.
Beneath every year spent alone—
I deserved company that did not require my disappearance.
Beneath every time I refused
to become pleasant for someone's comfort—
I deserved to exist whole.
That was the secret.
That was why the anger never died.
Because neither did I.
I was never furious
because nothing mattered.
I was furious
because something did.
I did.
And after years
of being told I was too much,
I finally understood:
perhaps I was.
Too much for the people
who required my silence.
Too much for the rooms
built to contain me.
Too much for anyone
who could only love me
after subtracting pieces.
So I stopped subtracting.
Let them choke on the arithmetic.
I am still angry.
I hope I remain angry
for a very long time.
Not the anger that eats me.
The anger that feeds the furnace.
The anger that says
again.
get up.
again.
The anger that looked at everything
that tried to make me disappear
and answered:
No.
You mistook my rage
for evidence that you had destroyed me.
You should have recognized it
for what it was.
Fuel.
And somewhere inside the furnace,
small,
impossible,
and refusing to die,
was hope.
About the Competition
The Global Poetry and Creative Writing Competition 2026 by Hashtag Kalakar is a prestigious event celebrating the art of storytelling through poetry and prose. The competition invites participants worldwide to share their unique perspectives and creative expressions, fostering a global community of writers and poets. It is a vibrant platform that highlights diverse voices and the transformative power of the written word.
Thank you, Salem Youngblood, for your profound contribution to the Global Poetry and Creative Writing Competition 2026 with "I was angry because I intended to live." Your work offers an inspiring glimpse into the journey of self-understanding and resilience. We are grateful for your participation and for sharing your powerful voice with the world.
About Hashtag Kalakar
Hashtag Kalakar is a creative platform dedicated to providing artists, writers, singers and other creative talents with opportunities to showcase their work and reach wider audiences through competitions, features and creative initiatives.

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