Always Leave the Exact Amount on the Dresser - By Chris Dino Belacho
Written By: Chris Dino Belacho
Category: Short Story
Competition: Global Poetry and Creative Writing Competition 2026
In the vibrant tapestry of the Global Poetry and Creative Writing Competition 2026, Chris Dino Belacho presents "Always Leave the Exact Amount on the Dresser." This short story delicately unravels the intricate layers of human interaction and emotional complexity. As part of this prestigious competition, Belacho's narrative invites readers to explore the depths of personal connection and societal observation.
About the Work
Chris Dino Belacho's "Always Leave the Exact Amount on the Dresser" delves into the nuanced dynamics between two individuals from contrasting worlds. Through rich dialogue and vivid imagery, the story captures the transactional nature of their relationship while offering glimpses of vulnerability and longing. It is a poignant reflection on authenticity, power, and the search for meaning within fleeting encounters.
Always Leave the Exact Amount on the Dresser
Original Submission by Chris Dino Belacho
Always Leave the Exact Amount on the Dresser
by Chris Dino Belacho
“Two tickets please.” The lady behind the window tore two and handed him his change. The movie wasn’t good, but he loved it all the same. The woman he was with disagreed. She thought that the dialogues were lousy and it bored her to death. He liked how opinionated she was. He gave his rebuttal and she coolly answered him. They had a good, intelligent back-and-forth. But the truth is, she had seen it over a dozen times in the past few weeks. She had practice. The men who afforded her took her to the cinemas and always preferred they had debates like this at the end of it. Some men are strange, she thought. She always took the opposing view, no matter what side that was.
“The critics hated it.” The woman argued. But he cared less about what the critics wrote. He decided that he was too old for that. In fact, he didn’t read any of their columns anyway lest it permit random people to just interfere with the story being told.
It was as good as it could get. Their conversations had flat-lined naturally when they found themselves necking all of a sudden while waiting for a cab. It did not seem to appall her, dating an old foreign guy such as himself.
“But how do you know when someone is being true to you?” He asked.
“Well, that’s easy.”
“Yeah?”
“I guess.”
“Please do tell.”
She sat back as if it gave her more power to explain.
“At nights, you could always tell. At nights, the whispers are the most honest thing there is.”
And one thing led to another. Before he knew it, he was being led to this shabby hotel down some dark alley where she was a preferred guest. After all, this wasn’t a real date. It was rather a business transaction. But he had hoped that it could at least mean something to the woman while it lasted. As they approached their place of accommodation, he noticed that there wasn’t a working sign. The hotel had none if you want to know the truth. All it had on was the address number by the glass door which said ‘9316’ with the neons from a nearby KTV gracing light on its facade. He thought that she had probably chosen this place specifically to bury their whispers.
There were some light rains and it was cold. It was dark all around with only a few cars jolting by at the corner street. He found some shade and waited outside while the woman took care of the room. He stared blankly up into the dark sky and searched for the invisible source of this unending downpour and wondered like a child. The wind carried the slanted rain. There were soft glimmers each time they passed through the street lights. He thought it was a nice gesture, the slow rain paying their respects like that.
After a while, they went inside and got into a small elevator which barely fitted them. Their shoulders almost touched, he felt nervous once again. Under the bright light, he could almost see her underneath all of that makeup. He thought her dark skin was beautiful, apart from the fact that she looked tired and older. When they reached their room, the woman asked him to place the exact amount on the dresser, or else she would keep whatever he’d left there. She undid her coat while she went into the bathroom to freshen up. He took off his shoes and sat at the corner of the bed where the window was near.
He was shivering when he touched her. He rarely got the chance.
While on her knees, she looks up to him and smiles.
But he can’t tell if she is sincere or not.
She is preoccupied. She is not whispering, of course.
But he is convinced that she is, that she cares for him.
For as long as the money is good on the dresser,
For as long as she is down there.
It is a good view from the top.
Something inside him stirs, something primal.
This is one of the rare occasions wherein he feels good about himself.
No insecurities.
Right here, he is king.
He feels proud, dignified.
In this third-world country, he is living the great American dream.
He is old and wrinkly. He has halitosis.
But he has a good credit score.
And around these parts, that is all that matters.
About the Competition
The Global Poetry and Creative Writing Competition 2026 by Hashtag Kalakar stands as a beacon for literary talents worldwide. This esteemed platform celebrates the art of storytelling and poetry, providing writers with an opportunity to share their voices on an international stage. Through diverse themes and categories, the competition fosters creativity and inspires a global conversation.
We extend our heartfelt gratitude to Chris Dino Belacho for sharing "Always Leave the Exact Amount on the Dresser" with us as part of the Global Poetry and Creative Writing Competition 2026. This compelling short story resonates with its depth and authenticity, and we are honored to showcase such a profound narrative. Thank you for your contribution, Chris.
About Hashtag Kalakar
Hashtag Kalakar is a creative platform dedicated to providing artists, writers, singers and other creative talents with opportunities to showcase their work and reach wider audiences through competitions, features and creative initiatives.

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