Memory
- Hashtag Kalakar
- Oct 1
- 4 min read
By Ror Anders dos Santos
Section A
Agatha was used to the winter. However, the frost and utter coldness that scattered through Alaska during the January morning assured every inch of her body that there would be no going out that Thursday. The recently boiled tea struck comfort through cold hands. Such could be said specially then, that the weather was harsher than ever before. The dying fire presented a comforting sense of grounding, with its striking warm tones fighting for further expansion. The low sound of someone entering the room burst her character with eagerness, as the morning, although cold, was too lovely to be spent confined.
“Oh James, are you positive I shall not leave to the garden today? You know I’m used to the winter!” advocates the girl, with her big warm pupils and smiling face posing a cheerful threat to James, daring the butler to deny her wishes.
“Sorry, it is not up to me” laughs the boy, with a genuine sadness in his dark brown eyes that confused Agatha’s tired mind; resulted from a lack of sunlight.
“Can I at least read to my son for a while? The clock is striking almost noon already, he should be awake at this point. Please bring me my child” insisted the girl, with a rush of joy passing through the thoughts of her two-year-old laying in his crib.
“Jame’s asleep still, but I can awake him if that is your wish madam.” stated the doppelganger.
“No, it’s quite alright James, let the child sleep for a little longer. He needs the rest.” says Agatha, slightly disappointed for the unconsciously asleep state of her son; but truly acknowledging his young body’s need for good rest. “I shall be left alone, James, I’d like to read myself until my baby is awake.”
For what felt like ages, Agatha read, pausing occasionally to look at the spiralling snow flakes falling from the adjacent window. The harsh weather sprung recent memories from her life, with her husband adoring the snow. Leonard was away, for work matters. As she was told, the reality of a police man required him to indulge on travels, every month or so. After being away from him for what felt like at least a month now, she couldn’t bear the boredom the situation imposed. With her insides twisting, and her novel looking unappealing as a result from immersing in its story for the past hours, the exciting idea of writing her husband a letter fizzled her insides again. After finding herself some pen and paper, the idea seemed better at every second. A prewriting state set in her, as what was one supposed to say in a letter, after a month of
no speaking? The engaging questions she possessed about her husband’s travels filled the content of the piece of stained paper. Even though he did not use to travel on work very often hitherto, his now adventures filled her soul with exciting questions and curiosities. The letter now completed, a piece of crimson wax was slowly melted, and pressed carefully into the old paper. Now all that had to be done was giving the letter to the house butler, as he was in charge of such chores.
“Hey James! Can you post this letter in the mail today? I haven’t heard from Leonard yet since he left for Florida earlier, what was it, this week?” shouted Agatha, with the excitement of conversing with her husband racing her mind.
“James?”
“James!”
“Oh, there you are James. Could you maybe... allow me to leave the house today?” said Agatha “I am used to the winter.”
Section B
The process of writing the story derived from the initial planning stage, as I was aware of my wish to twist the sense of memory, into a lack of so. The planning stage derived me into the decisions of creation of a build up into a plot twist, with its implications being subtly forged. Quotes such as “advocates the girl, with her big warm pupils and smiling face” and “burst her character with eagerness” leave in the reader a false impression that the character is much younger; much too young to not possess a sharp mind and memory. The sadness in the character states at the “butler” might provide the reader with an initial sense of unsettledness, enhanced by the discovery that he possesses the same name as the main character’s son. The story was intended from a third person point of view, to enhance the plot twist presented in the end; one of the main character being implied to carry Alzheimer's disease. The third person and intentional unreliable narrator removes the reader from being directly faced with the character’s point of view and reality, resulting in a more subtle foreshadowing. With the character believing her husband was away on a work trip, I implemented very subtle foreshadowing techniques, such as her husband being a police man, who usually would just work in their city’s local station. The lack of a career that requires travelling, her “butler” being addressed by the narrators her son’s “doppelganger” and possessing the same name, implies that a long time has passed since Agatha truly had a two-year old son. The choice of the main character first stating “what felt like months” regarding
her husband’s work and later on stating “I haven’t heard from Leonard yet since he left for Florida earlier, what was it, this week?” allows for the reader to absolve the subtle hints that the character lost her memory; and sense of time. My inspirations for this story lied in Alzheimer patients, and the sudden reality shock of living stuck in time, with memories fading away. The sudden burst in the slow building plot twist was written to portray to the reader the reality of the character's disease as slow, but sudden. Character such as the “butler” are left as implications to the reader, as to whether that is the main character’s son, or simply the house’s butler.
By Ror Anders dos Santos

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